current exhibition

Myth and Mutations 4/10 – 5/2

 

OPENING FRIDAY APRIL 10TH, 7 – 9PM

REVERSE is pleased to present MYTH AND MUTATIONS, curated by Chris Romero. MYTH AND MUTATIONS features six artists that combine symbols of the past with subject matter found in contemporary culture including emojis, memes, video games, and consumer products. The artists demonstrate that mythologies forever transform, coalesce, and split into new allegories. However, as these allegories undergo certain metamorphic changes, they acquire a close relation to present-day desires, fears, truths, and morals. On display is a diverse range of mediums including video installation, animation, illustration, and 3D printed sculpture.

Richie Brown’s “Brown Magick Oracle Deck” is a series of fortune cards featuring icons from traditional oracle decks – a vase, a sword – mixed with images chosen by the artist – an alien, Santa Claus, googly eyed poo. During the exhibition Brown will provide readings, create new cards, and explain how to perform readings. The film “Over the Rainbow” by Rachel MacLean features a hyper-glowing rainbow filled world inhabited by cuddly monsters and gruesome pop divas. Shot entirely in green screen with Maclean as the sole performer, divergent iconographies merge together presenting a dark parody of a fairy tale and horror movie genres.

Jonathan Monaghan’s “The Checkpoint” series of prints is a reimagining of Albrecht Durer’s 15th century woodcut “The Triumphal Arch. Rather than featuring griffons or heraldic crests akin to Durer’s woodcut, Monaghan’s architectural structure is comprised of security cameras, video game weaponry, and floating Whole Foods logos. The miniature theater-box-video installations, “Laid in Earth” and “La Medea (TV)” by Yara Travieso, observe Greek tragedies, spectacles, and the void. “Laid In Earth” (in collaboration with Mira Lehr) is a reimagining of the opera “Dido and Aeneas” by Henry Purcell, whereas “La Medea (TV)” adapts Euripides’ myth, “Medea”, as a Latin American variety show.

“Ambient Occlusion” a series of 3D printed sculptures by Wang Yefeng combines and breaks apart the human figure, American automobiles and beasts of Chinese and Greco-Roman fables. The figures, posed in classical Renaissance form also contain attributes of the Chinese dragon and the centaur. In the video animation “Red Ginseng” Yaloopop‘s virtual landscape features pink creatures performing the Citizen Health Workout Routine, designed by the South Korean government to enhance national well-being for the next thousand years. Inspired by the rumored cure-all qualities of Red Ginseng, the creatures perform their routine amongst flowing streams of pink-hued ginseng hinting at a thirst for immortality.

An essay and glossary of iconographic references will accompany the exhibition.

open calls

OPEN CALL: TEACH AT REVERSE

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SUBMISSION DEADLINE: APRIL 19TH, 2015

REVERSE invites teachers, artists and creators with an interest in sharing their skills and knowledge to submit proposals for workshops to be part of our educational programming.

REVERSE is a non-for-profit, multidisciplinary workspace and art gallery with an emphasis on new and experimental forms of expression. Run by artists, our mission is to support innovative and boundary breaking projects that foster dialogue and artistic collaboration. In line with our mission, we want to expand our current workshop program in order to provide a space for artists and the community to engage in a broad range of classes offered on a regular basis at an affordable price.

We are looking for workshop proposals that will give artists new tools and knowledge to expand their practice. The classes will be held during May-July, 2015 and September-November, 2015. The duration of the classes will vary between:

-One weekend workshops consisting of two 4-6 hour sessions

-Two 2-hour sessions over the course of 1-2 weeks

-Four 2-hour sessions over the course of 2-4 weeks

*Instructors will be paid for the classes.

Submission guidelines:

- Class description of no more than 200 words, explaining the subject of study and your approach to it. Include main topics covered and how artists can benefit from this class. (Labeled: lastname_firstname_nameofworkshop.pdf

-Class requirements: list any equipment, software, or hardware needed; specify what students need to bring and materials that you can provide

-Instructor bio of 200 words maximum

-Instructor CV

-Preferred dates and duration of workshop

Submission proposal deadline: Send all materials by April 19th, 2015  in one zip file attachment to submissions@reversespace.org with the subject “Workshop Proposal”.